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First modeling portfolio picture of a Tampa model on Tampa Bay Modeling. All portfolio photographs, unless otherwise noted, by C. A. Passinault, lead photographer for Aurora PhotoArts Tampa Photography and Design, as well as Director of Tampa Bay Modeling. C. A. Passinault is a top photographer, as well as a modeling expert.Second model photograph on Tampa Bay Modeling. Click on the image for an anecdote of the modeling shoot which produced this picture.In this third picture, you can see why the Tampa Bay area is one of the best in the world for modeling portfolio development work. Photograph by Tampa photographer C. A. Passinault.Image four of our online portfolio of another Tampa model. This photograph, if we are not mistaken, was taken on location in the Tampa Bay area. The best modeling portfolio photographs are location shots.This is another great picture. This is the fifth model photograph on Tampa Bay Modeling. Pictures featured in our thumbnail array may not be the same as those of models which are in our featured model section, but often, they are one and the same.Unmatched in any Florida modeling market. The quality of this image is excellent! Photograph by C. A. Passinault, our resident photographer and modeling expert.Another top Tampa model gets their look on. The best models can obtain a wide range of looks, as you can see when you look at other pictures of this model!Is it any wonder why more and more companies and art directors are booking independent models without going through an agency? Proof that you can be a professional model, with a lucrative career, without being dependent upon an agency to find and book modeling jobs!Another awesome photograph of a Tampa model by modeling photographer C. A. Passinault, lead photographer Aurora PhotoArts, and director of Tampa Bay Modeling.For modeling portfolio work in the Tampa Bay area, nothing beats location work. Studio photography is not nearly as cost effective, or appropriate, for modeling portfolio work.Keep in mind that this picture, for a modeling portfolio, was taken by a qualified modeling portfolio photographer, C. A. Passinault, for a specialized, professional market, which is modeling. A wedding photographer or a portrait studio will not be able to give models what they need for an effective modeling portfolio, as you have to know what you are doing!This is the 12th picture in our Tampa Bay Modeling online portfolio. Yet another Tampa model shows a marketable look in their portfolio. The best models are capable of the most looks, and are not locked into a single look!Agency model or independent model? It doesnt matter, anymore, especially in Tampa Bay. Professional models like this one can be booked without going through an agency, saving both the model and the job agency fees.Modeling portfolios need at least six looks, and by looks, we mean different looks. A composite cards needs at least five, on average, with a headshot on the front, and four different looks on the back of the comp card. This Tampa model is demonstrating a marketable look right now, in this photography. Picture by C. A. Passinault.
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TAMPA BAY MODELING

Born Beautiful

A short story series about the adventures of a model By C. A. Passinault

Episode 1: Independence

PAGE 1 - 2 - 3 - 4 - 5 - 6

Drive

Page 1 of 6

A convertible MR2 Spyder banked off the highway and merged into the dense traffic on the causeway, toward the west. The silver finish gleamed in the afternoon light. Long, dark hair whipped in the wind as a button-like nose crinkled under the bridge of dark sunglasses. A hand shot up from the stick shift and yanked down the visor. The hand made a detour to the in-dash MP3 player, tapping a button as the volume shot up and loud techno dance music drowned out the sounds of the traffic around her. The engine revved, and she reached down to shift as the car lurched forward and accelerated. Lipsticked lips curled up in a grin as she took a deep breath, breathing in the salty air from the warm bay waters lapping along the roadside seawall, and feeling the sun glow on her dark skin. A couple of seagulls flew over her, soaring in the sea breeze. She ran her tongue across her perfect white teeth.
God, she loved summer.
She heard a ringing in her left ear. She tapped a mute function on her car sound system and reached around her chin to tap another button on her cell phone's wireless head seat, which was clipped to her ear. She greeted the caller.
"Cameron Passi, how may I assist you?"
"Hey, Cammy, where the hell are ya?!?!" the high pitched hyper voice chattered. She smiled. It was another personal call, and not the call that she had been expecting.
"Hi Jen, what's up, beeeeeaaatch?!"
"Where are ya?"
"On the Courtney, surrounded by assholes who should be poster children for the campaign to jack-up car insurance rates."
"You working again?" The voice inquired. It didn't miss a beat.
"No, just making the rounds. I'm on my way to Clearwater for a go-see."
She patted the leather portfolio laying on her passenger seat.
"You're always working. You never have time for your friends anymore!" The voice teased, with a slight whimper.
"Well, I have car payments to make. It's not like I book every job."
"You don't have bills compared to mine! Don't even start! Besides, you seem to get a lot of jobs."
"That's because I don't let myself sit around on my ass all day. You've gotta work it, baby. I'm what you could call a go-getter, and don't you forget it!"
She glanced down into her driver-side mirror, and turned her head to check her blind spot. She abruptly changed lanes, prompting an angry honk from a rusty old VW next to her. She noticed two guys fishing off the seawall.
They were cuties.
"Cammy, you have got to be the worst driver in Tampa! I'm always hearing pissed people around you when you drive!" the voice laughed.
"Whatever Jenny. These people suck. Besides, you're the one that keeps on getting into crashes. I have yet to even put a scratch on my baby."
"You're just lucky" Jennifer chimed.
"Baby, you make your own luck." She giggled. She slowed to stop for a stoplight, "Shit."
"What now?"
"I hate stopping. I've gotta go, go, go!"
"Hey, what are you and Ryan up to? You want to meet us for dinner tonight?"
"Yeah, sure, but I can't give you a time yet. I have no clue how long the art director is going to keep me."
"Where do you want to eat at?"
"I've got to take the Courtney on the way back, so how about the Rusty Pelican?"
"Where's that again?"
"South end of Rocky point, off of the second light. Hmmmmmmm, you know, I don't know if Ryan can make it."
"What's he doing today?"
"I don't know. I've been too busy lately to keep up with my love life. I think he's off doing something with his friends. I can give him a ring when I'm done."
The light Changed. She glanced to her left, down Rocky Point. Nice place to eat, but not that fun. She was the third wheel with her friend Jennifer, and her boyfriend Jack, too much lately. What was Ryan up to today? He wasn't at his apartment when she stopped by that morning. They lost touch again.
Well, at least everything else in her life was going well. She was almost too busy to miss him. Almost.
"Hey, if Ryan can't be found, you could get with Jack and me tonight. You know how much we're into you, supermodel. That would be cool!"
Cameron made a sour face.
"Whatever. You're not funny!"
"Hey, I remember that time we kissed."
"It was a dare, and it wasn't a real kiss. I'm never drinking rum with you again, do you hear?"
Jennifer laughed. The high pitch of the laughter pinched her ear.
The car behind her honked.
Time to go, go, go. Next stop was a studio near Clearwater beach. The Spyder chirped tires as it accelerated ahead, beginning its trip across the long Causeway.

Next Page: Go And See The Go-See

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PUBLISHED 05/13/11

UPDATED 05/13/11

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